Aindrea Emelife
It’s time to run ahead full force into the year. On March 3rd, my first book, A Brief History of Protest Art, will be published by Tate. The book is timely and eerily shows just how long these conversations and struggles for rights have been going on, but it is doused in an optimism and hope that art delivers so well. Ed Clark at Hauser & Wirth Savile Row has just opened – boundary pushing abstraction spanning three decades, from the Seventies to the Nineties – and is an absolute must see. When you’re done, you do two things: you walk to Antonia Showering’s exhibition at Timothy Taylor Gallery, an exciting young painter with a masterful hand of abstraction and allegory and then you walk to the Royal Academy of Arts for the Francis Bacon exhibition which will put you in front of the beast himself. When I’m not knee deep in various critical art theory and research material, or writing my second book, Art Can Change The World (Frances Lincoln, 2022), I’m choking on my coffee reading Michael Peppiatt’s Francis Bacon memoir “In Your Blood”. I love going to the bookshop/library, Reference Point, at 180 The Strand where I recently bought a rare book of poetry by Maud Sulter, a Black British photographer who I adore and who features in my upcoming exhibition, Black Venus at Fotografiska New York – it is a survey exhibition exploring Black women in visual culture, I am creating an exhibition that explores a legacy seldom told.
Aindrea Emelife- Curator, Art Historian, Writer